Do you have a goal, or do you have a burden? Learn how to make goals that will energize you instead of feeling like a weight dragging you down.
Try these three unconventional crowdfunding strategies to engage readers, attract passionate backers, and create lasting success for your book.
In How to Thrive as a Writer in a Capitalist Dystopia, I asked whether it was even possible to be happy and a writer at the same time.
At its core, the HAPI Compass is a four-point system designed to help you find alignment and direction in your career.
Belief (or mindset) is the first step in aligning your HAPI Compass, which is at the core of being a Hapitalist.
We’ve all met people who work hard and are still stuck in hummus. Let’s be fair.
Most writers believe success is a leading indicator that shows they’ve arrived.
Lining up the right problems with the right solutions is something that everyone deals with all the time.
I’ve spent most of my career trying to brute-force the universe.
Every time we sit down to write, we step onto a tightrope strung between two towering cliffs.
If you’ve been in authorship for any length of time, you’ve probably heard people talk about “sustainability” in order to prevent burnout.
Most authors feel like they’re building a business, even when they’re standing still.
It’s okay to want attention. It’s okay to be successful. It’s okay to want fandom. It’s okay to want your book to sell a million copies. It’s okay. I genuinely like the books I write.
Mathematically, a point has no dimension. No length, no width, no depth. It doesn’t occupy space. It’s just… an idea. A placeholder. A convenient lie.
A win condition is the ultimate goal that makes all your hard work worth it. It’s not necessarily about hitting specific revenue targets or achieving fame
It’s a quiet kind of miracle when something actually makes it out into the world. You push this fragile, too-big dream through the clogged gears of life, and for some reason, sometimes, it works.
We’re quick to think about changing our mindset (especially as authors), but we rarely think about our bodies.
I’ve spent my recent past working with my body, through somatic therapy, breathwork, and the kind of embodied practices that require getting out of your head and into your skin.
Ever since I was a child, I’ve wanted to kill myself.
My wife and I are both chronically ill (and she helped me build the resources for this chapter, which was a huge help).
Heart is all about making projects that deeply resonate, both with yourself and your audience.