Lots of people tell me they hate all marketing and "only want to write the next book" which is wild because,
The best way to make money as an author is to not grin and bear something you don't like.
Peter Yang from Creator Economy has been living rent free in my head for years due to his writing this about the two different types of social media companies,
Whether you’re a novelist, blogger, poet, or nonfiction writer, the ability to capture and hold an audience’s attention can make or break your career.
We've all come across classic writing advice like be consistent, engage your audience, find your authentic voice, and so on.
Sometimes it doesn't work.
Too often in life, the answer to “why am I not having success?” is that time has to happen.
Most successful people I know are masters of chaos magic.
I think about trust a lot; probably too much.
The publishing landscape has become increasingly complex.
I’ve written a lot about author growth in my career.
Marketing your book can feel overwhelming, especially if you’re worried about sounding repetitive or running out of ideas.
In February 2024, I met Lee Savino at the inaugural Future of Publishing Mastermind event.
Most authors reading this probably know nearly every piece of information that I will talk about in this book.
In the last chapter, I laid out the elements of the formula, but in this one I’d like to explain how it all integrates together.
We’ve now built the elements of your system, but we need to speak to the undercurrents that help make the system amplify on each other.
Now that we’ve talked about the undercurrent of your marketing, it’s time to sketch out how your customer goes about finding and engaging with your work.
In the opening chapter, we talked about funnels and flywheels a bit, but now we’re going to delve deep into how to make them work for your business.
Before we (finally) get into the stack, I’d like to introduce you to the growth-to-monetization parallel.